Cate McGowan (Fiction) | Maitland, FL
Cate McGowan is a fiction writer, essayist, and poet. She won the 2014 Moon City Short Fiction Award for her debut short fiction collection, True Places Never Are, which was also a finalist for the 2015 Lascaux Short Fiction Collection Prize. Her work appears in Norton’s Flash Fiction International, Glimmer Train, Crab Orchard Review, Crab Fat Magazine, Barrelhouse, Shenandoah, Into the Void, The Louisville Review, Coal Hill Review, Vestal Review, Tank, Unbroken, and elsewhere. A native Georgian and current, reluctant Floridian (Heat! Hurricanes! Alligators! Faulty voting machines!), she is an Assistant Fiction Editor at Pithead Chapel. McGowan’s debut novel, These Lowly Objects, published by Gold Wake Press, will appear in early 2020.
Blurbs, Press, & Reviews
As I read these remarkable stories, I fell headlong for Cate McGowan’s tender, fierce, and deliciously complicated characters. Gritty and gorgeous, True Places Never Are is an astonishing collection and McGowan is a one-of-a-kind talent.
—Laura van den Berg, author of Find Me and The Isle of Youth
Cate McGowan’s debut story collection, True Places Never Are, travels nimbly through geography and time, taking us through cities of the past and present via timeless rural towns. Here, we encounter the fullness of human existence distilled into moments of elemental violence, thwarted artistic ambition, and palpable yearning for true connection—with family, lovers, and the land.
—Wendy Rawlings, author of The Agnostics
Cate McGowan’s first collection of stories, True Places Never Are, is a virtuosity of language and storytelling suffused with grace and wisdom. Her range of narrative appears limitless, her vantage point sublime and sensuous, earthy yet etheric. Each story is jeweled and brutally rich with joy and sorrow. Possessed of an eye fierce for truth and a passionate empathy for the human condition, Cate McGowan gives us, in True Places Never Are, a stunning debut collection, a literary treasury of tragedy, honor and hope.
—Melissa Pritchard, bestselling author of The Odditorium and Disappearing Ingénue: The Misadventures of Eleanor Stoddard
Cate McGowan’s writing is so succinct, so lovely and so full of emotion that the reader leaves the book hungry for more but also comforted by a sense of satisfied awe. These are stories of powerful resonance, exploring the human condition in all its beauty and ugliness and everything in between. True Places Never Are introduces us to a major new voice in American fiction.
—Silas House, author of Clay’s Quilt, A Parchment of Leaves, and Eli the Good
Whether she’s writing about a farm boy’s altercation with an irrigation machine, a female prisoner, or a fictional French Dadaist (in what is truly a tour de force), Cate McGowan’s stories have all of the ferocity and precision of her fellow Georgian, Flannery O’Connor; but McGowan is more compassionate. And more hip. I felt the same sense of excitement about the variety and heart in this collection as I did, many years ago, reading Jayne Anne Phillips’s Black Tickets. True Places Never Are is an impressive debut.
—Robin Lippincott, author of Mr. Dalloway and In the Meantime
This collection of stories lives up to its title, in that they take us deftly to true places we have never been, places that we get to know through cunning observation and beautiful prose. With Cate McGowan as our gracious and expert guide, showing us just what to look for, we come away enlightened and delighted for having made the journey to these places that feel both happily, and sometimes painfully, familiar. This book is armchair travel at its very very best.
—James Thomas, co-editor of New Sudden Fiction and Flash Fiction International