Lisa Gluskin Stonestreet

Lisa Gluskin Stonestreet (Poetry) | Portland, OR

Booking Fee:

Negotiable

Will Travel:

Anywhere

Lisa Gluskin Stonestreet’s The Greenhouse was awarded the 2014 Frost Place Prize and published by Bull City Press in 2014. Tulips, Water, Ash was selected for the Morse Poetry Prize and published by Northeastern University Press. Her poems have been awarded a Javits fellowship and a Phelan Award, and have appeared in journals including Zyzzyva, Rhino, Kenyon Review Online, Cream City Review, At Length, Quarterly West, and Blackbird and in the anthologies Best New Poets and The Bloomsbury Anthology of Contemporary Jewish American Poetry. She writes, edits, and coordinates the literary reading series Lilla Lit in Portland, Oregon

Books

Tulips, Water, Ash (Northeastern, 2009). Samuel French Morse Prize. Poetry.
Tulips, Water, Ash (Northeastern, 2009). Samuel French Morse Prize. Poetry.

Chapbooks

The Greenhouse (Bull City Press, 2014). Poetry.
The Greenhouse (Bull City Press, 2014). Poetry.

Blurbs, Press, & Reviews

“The poems of The Greenhouse are profound, fundamental works, born of a deep interiority and making their intricate ways, phrase by phrase, toward a design both organic and artful.”
—David Baker

“Investigates the joys and complexities of this evolution, this meld and pull, with verve and a calming intelligence.”
—Bob Hicok

The Greenhouse is as alive as the title promises. These poems are wildly thoughtful, pensively wild.”
—Laura Kasischke

“Until reading The Greenhouse, I didn’t know what a chapbook could do. I’d read plenty of moving chapbooks, sure. But to create, in only twelve poems, an experience as urgent, as real, and as necessary as The Greenhouse is astonishing.”
Rain Taxi Review of Books

“These multivocal poems reverberate with questions, asides, daydreams, mathematical calculations…. It is thrilling to follow Stonestreet on this journey, through patience and restlessness, moving from one thought to the next while she goes about the daily chores of looking after a young child. The speaker doesn’t seem dulled by the monotony and sleep deprivation but pressured by it – pressure [that] creates an intent intellectual scrutiny.”
Sabotage Reviews

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